following in the shadow of the jisco music reedit series comes a new home for original music. under the shade hopes to promote new and old talent groomed from the disco underground. first up is new boy chambochÚ growing up sandwiched between the coast and the valleys of coastal mid wales, nature was sams first love. this taste for the epic, organic passages has been fused with pop sensibilities from an 80s childhood to shape a unique musical outlook. regular dj appearances at nottinghams stealth combined with residencies at some of the most forward thinking electronic nights in the midlands saw him develop his taste for the groove. the hooks of producers such as todd terje, toby tobias, lindstrom and ?me soon began to take hold and turn his hand towards crafting slower, more melodic grooves. after completing a series of tracks, which caught the attention of gerd janson and mark e and then road tested with success at londons seminal plastic people û chambochÚ was signed to under the shade with a string of releases in the pipeline. with additonal strong remixes by production team of the moment the revenge and pete herbert this already got huge support from tim sweeney, gerd janson ( running back ) or the horse meat disco crew

the success of narkotik recordz has prompted label owner dj narkotik to setup his sublabel to release some of the incredible tracks artists have been sending to him that were not quite right for the speed and intensity on the main label. bringing the tempo down but still maintaining its hard edge sound. with tracks from raw & uncut, paranoizer & earfist its gonna be a quick seller for sure!

paul thomas is having quite a year. bresident at gods kitchen, remixing the likes of chicane and working alongside funkagenda as ptfa. this second release from him on baroque is a low slung dirty chugger in the form of onzieme, his slammin collaboration with craig watt toadrip takes up the flip side.

detroit inspired bleeping techno ep. original cut brings back the accelerate synth bloop with modern pulse drums. damon wild kicks in the tight acid and xpansul makes this a big room summer hit. steve parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. counting on a long career as dj his style in a dj set goes from tech-house and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority

s up friends n freaks !! the international freakshow theatre is rising its stage curtain for opening a hopefully hot summer season 2009. with our 13th release we bring you two young guns who - so far - are new to the international freakshows roster. nevertheless basti grub from frankfurt / germany and dj w!ld from paris / france will definitely show their skills with 2 massive tracks on if-13! both tunes are properly carrying the spirit of an hedonistic summer party! the a-side comes along with mr.basti grubs marchgang. his trip into the depths of electronic music lead him through all the wellknown clubs in and around frankfurt city in the first place. nowadays he runs his own little label called hoehenregler, releasing quality house & techno music. his track on if-13 feels like a journey into the wonderland of minimal fusiontechno. bastis tune is one of those that are making you smile while you are rocking our socks off hard on the dancefloor! his tune marchgang sounds a bit like being the clash of 1920s music with the 21st centuries minimal house sound! and do you know what?! à the crazy combination fully works - give it a try folks! the flip side delivers dj w!lds balkan2?. dj w!lds musical career started 13 years ago in france with his first dj-attempts behind the decks. today the french mastermind is presenting his sound from one continent to another, as a tireless traveller he is spreading hot underground music to the people with his technical mixes. after having started his own label catwash together with chris carrier a couple of years ago, his reputation as a producer is constantly growing all around the planet! for if-13, dj w!ld brings us balkan2? - an epic and massive rollin sambaesque techhouse bomb, that has the dynamic and power to make you o nuts! this track is pure latin groove in a postmodern shape that will deeply satisfy all of you who are into the style of artists like ricardo villalobos or luciano, to name a few!

beyourself networks compilations goal is discovering emerging artists who distribute their own music on mainly networks & underground scenes. each volume will be selected by a guest giving him/her a total carte blanche to select music and artwork that will introduce his playlist, his highlight tracks, his secret music bombs ... in other words: his network! no boundaries: each guest will bring his own vision and personal touch.with the new music industry deal, the internet and its networks are more than ever full of talent. this project has a simple and ambitious aim: give more visibility to underground scenes activists.

this special release is dedicated to detroit dj legend ken collier. his untimely passing touched me personally as he was one of a small few who supported my music and me. because of ken collier, detroit developed a dance scene, which inspired artists & producers to make dance records, which gave birth to techno, which has provided careers for so many of you in the business today. so i dare ask all you techno producers, djs, record labels, record shops, clubs which play techno music and fans of techno to pay respect to ken collier just as you would our other fine music innovators. however, this special compilation isn t about techno, it s about h.o.u.s.e sound - broadcasting it to you from live inside the st-er-eo. this record contains no artist or track listing because i don t want this to be about who made the tracks, track titles, or even who wrote this commentary. this is my personal tribute to him, and how he has motivat ed me to make my contributions to house music. thank you ken collier, for helping me grow, not just as a dj or a record producer, but also as a person. every dj and dance artist here in detroit owes thanks to you for going out into the musical forest, chopping down trees and paving the way for us to build house.

brackles (aka rob kemp)s duties as a regular warm up dj at the infamous london dubstep night fwd, as well as regular appearances on rinse fm have earned him a reputation as a skilled selector and man of good taste

tuccillo joins delusions of grandeur for their forth release turning in two tracks of funk injected house that will work wonders on the dancefloor. hot from his releases with willie graff on freerange, circus company, drumpoet and liebe*detail, the ibizan producer delivers once again with a release that will put him firmly on the hype list for 2009. panorama is one of those tracks that will be played by djs right across the board and creates a killer vibe whether its at its original tempo of 118 or pitched right up for peak time action. the rolling beats, looped up guitar hit and siren synths create a mighty track that treads a familiar path but does so in such style that we challenge you not to get bitten by the bug. taken things in an altogether deeper, darker and more twisted direction with have switzerlands finest kalabrese taking care of the remix. his very capable hands and ears, not to mention vocal skills, have resulted in a warped, acidified excursion full of bottom end pressure and brilliant percussion. a real trip this one. finally, on the flip, we have tuccillos this time, taking things back into house territory with a funk filled workout that utilizes a pitched down vocal and horn stabs to great effect. that doesnt sound great on paper we know, but give it a listen cos it works a treat.

ben macklin & jay p have a string of productions behind them that spans the best part of the last two decades. ben has carved asuccessful solo career with releases on free2air and azuli, and as one half of sucker djs on toolroom and hed kandi. on top of this,he has remixed fedde le grand, space cowboy and wally lopez to name but a few. jay p is the alter ego of vern (of stretch & vernfame), projects include reflekt and superbass and his own mono-type records imprint. on top of this, he has written five tracks for the last kylie album, and has two on the brand new little boots album.joy malcolm needs little introduction: she delivered her excellent vocal performances throughout incognitos most successful album everone hundred degrees and risin, recorded songs with moby for his 2007 go the very best album release and also toured with him aswell as with the basement jaxx.

support by enzo elia, sultan, oliver koletzki, martin eyerer, marc romboyà flash recordings was a result of collaborations between oliver koletzki and florian meindl back in 2006, now after olivers label stil vor talent took off and flooded him with work, florian manages flash on his own. the first musical statement for this new paths florian is going comes in the shape of a single with two perfectly crafted dance-floor weapons: >time to move< is a disco tech- house tool built with a solid and mechanic meindl beat&bass construction, which ends up in a superlong break before it gets hit back by the beat.

a carl craig production!!! here is the 1st extract taken from night music, etienne jaumet new album to be released end of september. etienne is the keyboard player of zombie zombie. this man is breathing music. you have to catch him live to see how involved he is in his music. almost possesed. when i heard his album a while ago, i asked carl craig to make some production, which he accepted and made a job above our expectations! he pushed the level of psychadelism to the max! entropy is one of them. cosmic dark obssesive - a meeting between ashra temple, can and liaisons dangeureuses. tr 808, vintage synths...lets go for a ride... for the remix, christian vance, an australian producer who released recently a brillant track on rippertons label perspectiv has done a great job, changing the tune into a mental techno ride...we only released one mix, but check the digital platforms for more unreleased versions...

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

this is the first in a series of three various artist 12 inch releases, that features four of the dublin labels most trusted henchmen. puresthatreds >robbery< is his debut track on mantrap and what an awesome one it is: dark imposing bass and beats meet the sound of smashing glass, rave led keys and all round mayhem, with haunting strings that send this one into deepest hell. meeting him there is magnetize, who in one take supplied this evil vox led synth grinder in >distant observer< , with deft 808s and distorted crackling fx creating both a scary but grooving feel. rory st john pushes wobbly techno eccentricity on >dysentry<, with fluid editing and supreme use of effects proving again why he is one of the most exciting new talents around. sunil sharpes >print more money and shut up!< is a slippery mover, where a succession of unruly lead sounds accompany odd vocals and rasping hats - with a straightforward approach that will penetrate all in its way. so, four top class techno cuts here, all with their own unique character and all for peak time play.

when he isnt busy touring and recording with various artists as a session drummer (most recently with one beyonce knowles) guillaume jambel aka giom djs and produces deep house music. with only a handful of releases and remixes under his belt on labels such as amenti music, black cherry, tango, eight tracks and aroma its obvious that he is eager not too to spread himself too thinly. this makes us even more privileged to get him onto ornate music. and he certainly doesnt disappoint on blue matter ep which kicks of with bring down the walls a deep house disco builder promoting us to... you guessed it bring down the walls. with a metro area style bass line, warm keys and popping percussion this is bound to make you do exactly thatàin fact it should probably come with a public health warning. i know you were right, probably not something we say very often but here giom says it like he means with a tough kick drum, sweet seductive female vocal, bubbling bassline and a whole heap of other good stuff thrown into the mixer. this phat slab of deep house will brighten up the cloudiest of days, have a listen im sure you ll agree. hailing from brighton c soul are magnus asberg (head honcho of on the house records) and jimmy day. they have appeared on labels such as diy discs, suspect package and have also collaborated with house music legend robert owens on german label plastic city. for c souls on the house remix of i know you were right they strip it right down to the bone and produce a haunting, electronic house music rework. you know we were right!

with a plethora of well received releases on labels including creative source, exit records, dnaudio, quarantine, critical and shogun audio, survival?s deep, organic sound has rapidly earned him a reputation as one of the true craftsmen of modern drum & bass. collaborations with d-bridge, break, silent witness, fierce, sabre, chris inperspective and zero tolerance clearly illustrate the respect he commands from his peers.

third release on important corestyle and and after the great first two releases the label now proudly presents the first release of stormtrooper on this well respected german label! this busy man needs no further introduction, his mental productions on top labels like industrial strength, rebel scum, crowbar and many more, make him one of the most wanted industrial hardcore/hard techno producers worldwide. stormtrooper starts this 12inch of with rampage, a basic yet deadly effective hard pushing track full of massive percussion parts and grindin basskicks... this top track gets also a great kpx remix, this kid is known for the first important corestyle release and proves to be one of the rising stars in hardcore land with this excellent remix! the flip side offers breathing blood, a kickin track which is more experimental than rampage, check the cool breakdown on this one! last track is fuck everything, a dirty piece of industrial work which is takin your speakers to the maximum...excellent release by this mastermind, do not miss out!!

hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

dave dk needs no introduction, since his debut moodmusic album “lights and colours” he s been busy travelling the world preaching his trademark electronic deep house sound and remixing florian kruse, tigerskin and seva k for labels baalsaal, global underground and dirt crew among other things. for the new moodmusic release dave packs 2 tracks from the album in new edits as well some major remix biz from ada (areal, irr) and russ gabriel (mobilee, ferox) remixing cinema paraiso was ada s choice, the epic floating, almost balearic feel to it fitted perfectly the fine hand of ada and her perfect production values. starting with a rough 303 bassline, building an intense but deep affair buidling into a hypnotic frenzy of old school acid and modern electronics ! from the feedback from the few selected djs who got their hands on this gem, ada s remix is allready in groove mag top-10 ! the b-side coimbra, a rocking house belter with neat sample editing and the dave dk bassline juggling between the low end and the ultra low sub. russ keeps much of the original intact, deepening the groove with his funk injected beats and some lush detroit influenced chord action like we know and love from him. as a bonus we include the original mix for those vinyl lovers out there !

so inagawa first release compiled >deep house part 1- mixed by harley & muscle< compilation. japanese underground label >relaxine< will proudly announce deep tech house track >ride ep< that is second release coming from murakami(poker flat/dessous/morris audio)! ryos career started as dj, on the base of influence by the oldschool hiphop, house, techno, and rock. as soon as he was inspired by alternative sounds like analog synthesizer and old rhythm machines, he began to devote to produce electronic music. his sound contains experimental minimal and cutting edge house music. crosstown labelowner damian lazarus has picked him up and supported to releae ‘the lizard’ as the name of p.a.n on revelone which is sublabel of crosstown in 2006. ‘groove master’ daniel bell has played ‘the lizard’ in his mix cd and it has brought him deserved recognition as bona-fide new talent. steve bug, who runs poker flat and house line labe dessous, dropped ryo’s “my soul rise monument” to best album best kept secrets ” on dessous in 2007. he has became the first artist to be played 2 tracks on the fabric mix cd series steve bug mixes fabric 37 and it was great achievement for him. he has been releasing rise on dessous, down the sky on poker flat and lovin ep on morris audio since then.

intimacy is paul woolford s own label, which will see him experiment and innovate whilst simultaneously hitting the dancefloor where it hurts with no-nonsense, club-destroying house & techno, custom designed for deployment in basements, warehouses & systems the world over. after making waves and critical acclaim with his superlative reworking of morgan geist s the shore on environ, plus some fevered experimentation over the last year, paul woolford returns directly to the dancefloor with 4 tracks custom built to rock basements & warehouses the world

credited with some of the biggest tunes and remixes of our time, mr g returns to the detroit based moods & grooves label. while best known as a techno producer, mr gs relationship with m&g allows him to show his diverse musical tastes and offer something for the house and techno dj. one for the head û low slung reminiscent of a 12 minute theo parrish production with a extended buildup and teasers throughout. one for body û activator a nice blend of techno and twisted funk

favorite recordings is proud to present this new killer hip hop number from yann kesz & lmno. lmno from the exceptional group visionaries has been working with some of the dopest producers and artists around such as kev brown (featured on the track sur too strong), j.rocc (beat junkies), dert, ld, georgia anne muldrow. on this project, a 12inch featuring 6 hard hitting beats with contagious hooks, lmno takes a trip with wizard yann kesz. on the soul infused never stop!!!, lmno explains how family, good times and bad, push him to never stop... thankfully for all of us lucky listeners out there!!!! this is high quality stuff, soon to be followed by an album as wicked as this 12inch. limited to 500 copies worldwide, so be quick!

with the practice and feedback from an extensive set of gigs under his belt, a new live band to back him, and a close-knit crew of collaborators to work with, moschella has a deepened trust in his own musical ability. as a result boomshadow reflects the continued refinement of nino moschella?s sound. his songs are more personal, and his production definitely has more boom.

this is the fourth release of the future roots series, the trials and tribulations of the first three download releases overwhelmingly convinced producer dj deep that a vinyle series was of an utmost necessity to authenticate the project..the aventure thus starts here..future roots is dedicated to new talents and is a subdivision of deeply rooted house .....future roots is very happy to welcome english artist alexander ross to the label. born in sheffield and now residing in berlin after a number of years traveling and working throughout the world, ross credits his formative years in his birth town with its rich, diverse musical history and world renowned community of passionate musicians and promoters as his greatest influence and the place where the foundations where laid for his dedicated and inevitably lifelong relationship with quality music in all of its many forms. ross first official release earlier this year on these days records saw him collaborate with greek artist argy on the hugely powerful see no evil which gained widespread praise from a broad range of djs and fans of the label alike. the apparent line...ep is made up of three spacial, driving drum tracks which draw influence in equal parts from alexander ross interest in reverb washed dub, deep techno and the cyclic, rolling grooves of percussive african music. the pieces utilise tight dynamic rhythms and expansive, echoing reverberations to create three striking and effective moments. support from carl craig, josh wink, laurent garnier, loco dice, argy, manuel tur, martin landsky, manoo & more!

first single from the forthcoming izmo album æearly night. izmo is a young frenchman born in 1984 in paris. he was discovered by harley&muscle a few years back when he tried to get in touch with them.. he started making music at the age of 15 years old , strongly influenced by the ambient and electronica music coming from uk and germany. as years passed by, his frequent holidays in englands midlands led him to discover various club scenes with the 4 to the floor spirit.. from hard stuff to funky and mellow music , izmo was soon found searching for a sound that was calling him... years passed by and izmo is now deep into house music where he finally found his roots in the 90s house music vibe from new jersey , chicago , detroit , england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to old school or new school: i hate when people say that this sounds old school and that style sounds old or whatever...for me, a vibe is timeless ... izmo is also a deep techno head and all sorts of raw dance music.. watch out for his deep jacker and brawther aliases in the future... in summer 2007, izmo releases his first e.p. as a 12 inch on french label 9ts records, and gets a very good response, support and plays by legendary tony humphries... disguised as a tribute to smack productions , his where is eddie e.p. touched people from all different scenes, from deep house to uk garageà in 2008 , he will release his first full length album on little angel records, 14 tracks of strictly deep house music of different moods and atmospheres. izmo is thirsty and he will keep on trying to better his music for the pleasure of the real house heads. keep it underground ! support from laurent garnier, gorge, scope, osunlade, rocco, jay tripwire, dj rork, marlon d, dj dealer & more

grischa lichtenberger is a new artist on raster-noton. for >treibgut< he recorded sounds from the world around him like a sliding tabletop, the noise of a radiator or the humming of a broken device. by means of digital manipulation these sounds are transformed into sound-giving instruments

massive summerhit from nick curly played by: sven väth, dubfire, matthias tanzmann, karotte, audiofly, nick fanciulli ... currently, the releases and remixes of young mannheim-born nick curly are integral parts of the scene. with his imprints cécille and 8bit records he discovered both sis and johnny d., and thus shaped the electronic music scene decisively. nick is also well-known on an international level and tours the world under the motto >series<, which is at the same time the collective name for his vinyls. sven väth is a fan of the high-flyer and invites him not only to make an ep on cocoon recordings but also for a performance at the cocoon night at super club amnesia in ibiza. the two exclusive tracks on pujante / new town stranger are showing once again nicks diversity and his intuition for groove and soul. the a side >pujante< is a strongly forward-banging piece of techno that extends over the dancefloor like a shock wave. totally different: the b side >new town stranger<. for more than 12 minutes, the listener is enchanted by this masterpiece that attracts him with its perfect groove and a fascinating voice, just like a story from another time

m swift, aka shouhei matsushita is the talented instrumentalist and producer who hails from hiroshima, japan but has lived in london and has been wide open to musical influences from around the world. as a fan of soul and jazz from a young age he has absorbed all the best elements of classic and contemporary black music and forged a singular identity that enables him to stand out in a musical landscape of sound a likes and copyists. this latest release feeling is a 5 track 12inch inch that is the precursor to his latest full length album evening sun which will be released on freestyle records in time for the summer û the album and this 12inch spotlights m swifts soulful, funky house and jazz inflected rnb combined with the spectacular talents of renowned performers such as eric roberson, tony momrelle, joy rose and vanessa haynes and 24 carat whose combined talents makes for an uptempo, feel good record, quality contemporary soul for real music lovers.

this is the tune for getting spiced on the dancefloor! no more boring klicks and klacks, time for energy again, that s what alex must have felt when treating his gear in the studio while processing these two outstanding tracks. really remarkable techno again from alex bau, just as we are used to it and know from him for quite some time now. the tracks appear in a moderate design of sounds, avoiding to harsh and hard action, but the fierce leadsoud of wasabi tune vol 1 will surely make everybody moving, just as the usual suspects playing it already: stephan bodzin, liebing, technasia, perc, gary beck, florian meindl, mihalis safras, mr. beyer and many more. very very big tune! must have for this summer!

frank ti-aya (aka dj f.r.a.n.k.), one of the leading dance producers of the belgian club scene, teams up with belgiums #1 urban artist kaye styles. get ready for freedom... party grooves and kaye styles like youve never heard him before.

it may have been fate that erphun s very first gig was on halloween, because his music is brooding, pounding, moody and transformative, as if from another realm entirely. his ability to build a mood is mesmerizing and transports the listener to that alternate spiritual level that his moniker infers. having spun around california with residencies for naked, flirt and hotel california and playing at 1015 folsom (san francisco), sevilla (las vegas), broadway (san diego), voodoo lounge (las vegas), risqu (las vegas, new year s eve 2004), and the shelbourne hotel (miami, winter music conference), erphun began to make his mark. erphun s music has been spun in clubs all over the world and is succinctly summed up by steve lawler as a deep, dark and underground unique sound that trademarks his pieces. with early releases on ingrooves, and ascension records followed by releases on viva music oliver klein s mutekki and audio therapy, his name is now instantly recognizable among the tech-house, minimal, techno world of spinning producers who globe trot his compositions to be dropped on every conceivable audience. the reaction of the listener to his slow, driving builds that weave between the almost symphonic-like movements of each of his pieces is always jaw dropping and is usually followed by an exclamatory siiiiiick! . erphun is also a highly sought after re-mixer for artists who want to hear the 4am version of their pieces. the only way to really experience this immense talent is to see him in action. a night of erphun s making heightens the listener s musical aesthetic and aurally illustrates his personal musical vision

after a 10 year break genotype recordings is back! heretik brings us 6 incredible tracks that proves that even after all this time he has still got some great tracks in him! ltd edition of 150 copies on coloured vinyl makes this one a real collectors piece too! grab it quick!

after being influenced by mix-tapes of artists such as richie hawtin, dustin began writing music purely for fun. shortly after, dustin met future-partner ian lehman, who was established in the mid-west rave scene. ian explained to him that music similar to his was played at parties called raves. ian invited him to one of his shows and dustin took his offer to see what he was talking about. after being exposed to just one party, dustin knew this was his future. dustin started doing a live pa at various local parties and quickly became a favorite. after a year, dustin stepped up to the decks and won just as much respect as he did with his productions. in early 2001, dustin and ian both agreed to take things to the next level. they put a halt on bookings and concentrated on the studio. a year later their work had emerged onto vinyl and all over the internet, creating a serious buzz. abiotic was born, and the duo formed the attack people. a few words can easily describe dustin zahnÆs style: moody, tribal, dark, and hypnotic. since dustin co-founded abiotic recordings with ian lehman in 2001, heÆs finished projects for labels such as livewire records (detroit), analytic trail (italy) and invasion (belgium). his tracks have been received support from techno producers such as redhead, adam beyer, danilo vigorito, tim xavier, ben sims, chris liebing, dave clarke, umek

brawther is a young frenchman from paris. this deephouse producer found his roots in the 90s house music vibe from new jersey, chicago, detroit, england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to oldschool or new school: i hate when people say that this sounds old school and that style sounds old or whatever... for me, a vibe is timeless... in summer 2007, brawther releases his first e.p. under the name izmo as a 12inch on french label 9ts records, and response was great, supported and played by legendary tony humphries... disguised as a tribute to smack productions, his where is eddie e.p. touched people from all different scenes, from deep house to uk garage?

10inch !!!! this is something special. 10 years after its very limited release (simply due to a low budget and limited sales expectations, not to try and make the record scarce), norm talleys the journey is picked up by a a few hip berlin djs, and a fire starts with the record being offered on ebay for over €100.00, because nobody can find a copy. even norm had to borrow a copy when he went to dj in berlin and the berlin party crowd had already asked him to confirm if he was bringing the record..no joke. so here is that tune, the journey, now re-mastered by stefan betke and cut by andreas@schnittstelle, and sounding very nice. on the flip is the unreleased in yo soul, chosen by third ear to complement the journey and complete a full on in your face piece of norm talley groove. and to round it off, its on a 10. cool and compact. just like norm, who is known in the dj circles of detroit as a secret weapon.. need your party fixing?... call norm talley. serge at clone kindly added a few words... nice re-issue of an obscure dj favorite produced by norm talley and previously released on the nouveau riche label from detroit. here you have two tracks that turn out to be great dj tracks when played out loud. the journey somehow got lost in obscurity. but luckily someone was clever enough to get it back out again, together with the previously unreleased in yo soul, and here they are... 10 inches of pleasure! pure detroit house music as we like it

with dj support from martyn, appleblim, goldie, you know this 12inch is special. debbit and 4-3-3 see him crossing styles again, with emotional techy/dubstepy bizniss. recent techno sets have also seen him draw from labels such as kompakt and wagon repair and explore his own roots and influences, whilst bringing something different to the dancefloor.

giorgio gigli s bassline driven & subtle atmospheric techno trip. next episode of the prologue journey. be invited to a deep and dark one right from one of the best italian producers. tip. giorgioÆs reputation for deep, hypnotic sounds has seen him on labels like wagon repair, dumb unit and mental groove. now he is delivering again a hypnotic tripping ep on prologue. support from laurent garnier, cassy, pete tong, ryan elliott, oliver ho, angel molina, samuli kemppi, cio d or, donnato dozzy, and all dark techno individuals !

neville was resident dj at the legendary checkpoint charlie for many years, is one of the midnight steppers and has recently released some amazing house music with new producer kink to great acclaim. this is him all on his own. its a slab of bad-boy chicago house. a 707 drum machine, a bouncing bassline, pitched down vocals and a serious case of the jack. what more do you need? move quickly cos this one will fly out sharpish and be smashing dancefloors to bits all summer.

after recently releasing astonishing records on vakant & kalk pets, dewalta is hitting now even more dynamic and powerful the springtime floors. back on his motherlabel with great & unusual music and we dare to say that it is our favorite release of him so farà >saluki< starts straight with a crafty bass driven smooth rocket and build its self up alongside a guiding piano loop to reach very atmospheric frictions. soft choir singing here and there, various dub sounds brushing in the space, bringing all sound aficionados into a beautiful ride. dewaltas crispy rhythms are eventually fading out into melancholic and moving detroitish strings, to complete this unique piece of music. >shagya< on the flipside is a self-developing carnevalesque odyssey. its such a profound & delicious kickdrum, tightened with an extraordinary bass presence, its simply irresistible not to groove happily on that one. all is enriched with polyphonic balafon rhythms and hilarious african rooted chants - this is the energetic tool for those special intimate moments. a perfect track when lust and familiarity is present within the crowd and we consider time as officially end.

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

the second edition of flapjack records is proud to present the return of the chicago jack himself bryan jones. bryan is back on the jack in full force with this release. over the years bryan has released tons of records on every big underground house label you can think of doling out his undeniable jackin sound. we are proud to present bryan jones first vinyl release in over a year as he returns to the underground house music scene with that signature sound that made him famous all over the world. now he is back to >represent<.

albion got his first bookings in high school on his friends parties and played his first gig in a club in the early nineties. ten years later he rediscovered the sound of his childhood, disco. since then he has been throwing parties and playing in clubs, digging deep for records and obsessing about long forgotten music. in 2006 albion started making the astronomix and mixtura mixes for c-b-s which made him gain his reputation as a mixer of the most far out disco this side of the moon. hes now part of the heavy outfit which is ambassadors reception

daniel steinberg continues to have great sucess on labels such as microfon, grandpetrol and stylerockets and is also the main representative for front room recordings. with his last e.p, featuring >keep on movin< and >dont you know?<, enjoying such widespread sucess we thought we should call upon the remix skills of roman flügel and siopis for this release. roman has been artistically active sine the 1990s with his own labels playhouse, ongaku musik and klang elektronik contributing some of the best house around throughout the years. his remixes for the likes of pet shop boys, human league, primal scream and kylie minogue have garnered him a worldwide recognition and now he delivers in true style to front room. siopis, fresh from his get physical release >penny from the lane<, has also recently remixed mr. static which has further pushed his name into the international dance music vocabulary. his work can also be spotted on some of the most prominent labels like get physical, bpitch control and crosstown rebels to name a few. three quality remixes making one brilliant e.p that maintains front room at the top of its game.

lee mortimer (aka sawtooth sucka) has been steadily making waves with his productions and dj sets by taking every opportunity to supply ears with exciting, sleaze-filled fidget house. lees productions & djing over the last few years have come to the attention of m.o.s as they have made him there new resident dj. here he teams up with deadmau5 cohort mc flipside to deliver a slamming piece of bass driven fidget house for the mighty cr2 stable

oliver dahl returns to noir music with the amzing limno ep. at only 21, oliver dahl is having quite an impact on the electronic dance scene the world over. recent months have seen him garner support from an array of dance music luminaries such as dubfire, laurent garnier, nic fanciulli. villo is a peak time techno monster being supported by a whos who of the scene. the killer breakdown will destroy the dancefloor guaranteed! joa is a more progressive affair, with cool chord staps and dream-like breakdown

deepgroove aka grayson shipley & lee pattison from bristol have crafted their skills at venues like bristols seminal lakota, emerging with a sound that incorporates a hefty measure of eclecticism within a framework of deep and twisted tribal grooves. never fearing to tread a different path when it comes to firing a crowd, their performances marry a healthy degree of contempt for convention, to an obvious reverence for the original precepts of house music. using the 4-deck format, not as a tool for ostentatious displays of mixing prowess, but as a template for experimentation, deepgroove throw everything at the crowd, embarking on sonic voyages that range from the sultry to the surreal, with the funk never being too far from the surface. coming from a strong musical background growing up around jazz musicians in west london, jamie anderson also had a love for electronic music and the art of mixing records which has been with him ever since the early electro and hip hop days

wicked new label on the minimal tip from mark astbury delivering two great cuts that will definitely put him on the map

donnacha costello returns with another release for his new label and platform, look long. the tragedy of the commons sees him continuing his mission to create work of lasting quality and beauty. gatsby has that most rare and ephemeral quality, that certain something not easily defined. work which is at once both raw and full of subtlety. something which is at once both instantly familiar and yet inescapably new. fathoms deep pulls the listener in with each rotation until we are so thoroughly hypnotised we cannot but surrender to its insistent, organic pulse. baritoneÆs melancholy lo-fi guitars and roland 606 drums wrap around us like a warm blanket on a cold night. a private oasis, a moment of comfort in a lonely city before the body gives in to sleep. this is no throwaway music. this is music to keep, to live with, to grow with. this is music in which comfort can be sought and solace found